Sunday, September 15, 2013

Gangs of Melbourne 1860s-1980s



This is a quick unreferenced snapshot of Melbourne born gangs I typed up for a Film student.

Melbourne has a long history of gangs and subcultures that are unique.

The first subculture was the Larrikin. It is believed the term ‘Larrikin’ came about in the late 1860s in a Melbourne courtroom, when a local foot policeman with a heavy Irish accent described some naughty boys he had arrested as ‘a larkin in the street’. The judge asked him to repeat what he said and a court reporter recorded it as ‘larrikins in the street’ and the name stuck. In those days people could be arrested for play fighting, whistling at girls, jostling passers by, drunkenness, swearing in public, loitering and vagrancy, if they had no money in their pocket.

Larrikin boys and their gangs, called ‘pushes’ are described as wearing tight black bell bottom pants, with a belt at the back to pull them in at the waist, a white shirt, and a short jacket. Often the jacket was decorated with pearl buttons. Shoes or boots in a Victorian style would be high heeled and laced, carved or beaded, and hats could be a black velvet cap, straw boater, bell topper or a wide brimmed hat, depending on the gang. A bright coloured scarf would be secured around the neck with a bone ring, preferably carved in Pentridge.  Larrikins loved going to Pentridge, they would insist on hard labour, so they would come out tanned and fit, after working in the sun and a guarantee of three meals a day. It would give them a chance to network with other Larrikins and criminals and increase their social standing once back on the streets of Melbourne. In prison, they could learn shoemaking as a trade, but often preferred to hang out with mates once back on the street.

The Larrikin girls, known as Donahs, wore fashionable frocks of the day, but in gaudy colours, with lots of ribbons and feathers and similar footwear.



The push hung around street corners, or in broken paddocks and would make their own fun, drinking, telling stories, and practicing dance moves, until the constabulary would come to break it up, which could end up in a bluestone rock fight or a chase through the brothel lined lanes of Melbourne.

The Larrikins featured in Melbourne until the 1930s. During the 1890s a group of policeman called the Terrible Ten were bought in to smash the Larrikin menace and imprison the main trouble makers, leaving their younger brothers and sisters to come up through the ranks during the 1900s. The Bourke Street Rats are one group that had a media presence for decades and Squizzy Taylor was a member before he became famous.

In the 1920s a new version of the Terrible Ten returned, to deal with Squizzy and his razor gangs and once The Great Depression started, the Larrikins disappeared from the media during the 1930s and 1940s.

During that time the media favored the name ‘hoodlum’ adopted from the gangs in Chicago and New York, so once the war was over, they were way behind in finding out the name for some of the new teenagers in Melbourne. The Bodgies and the Widgies. 
  A Bodgie and his Widgie (my parents)

Copying the draped Zoot suit styles of the American soldiers and newly arrived European immigrants, the Bodgies created their own fashion, and got their name from using suit fabric that was considered inferior, or bodgy which they wore with satin shirts and pointy winklepicker shoes.

There was plenty of work and money to splash out on the latest fashions and the new Devil’s music. Rock’n’roll. The teenagers stopped dressing like their parents and exploded with the new style. This was a time of moral panic, especially with young woman were cutting their hair and teenagers becoming openly rebellious, so during the 1950s the police created the Bodgie Squad, to deal with these horrible criminals.  

In this1950s newspaper report. Mr Mayor is way out of touch with who the gangs are, but right up to date with the preferred punishment method of the authorities.

During the 50s a small group of Bodgies decided their clothes were of a better quality, and called themselves Sharpies. Their look was so much like the Bodgies, it was too hard for them to differentiate themselves, and they disappeared.

In the late 50s the Bodgies were also known as Rockers and by the 1960s there were a few different teenage subcultures, the Hippies/freaks, the Stylists, the Jazzers, the Mods, the Rockers and the Sharpies. Some morphed and merged, but the sharpies quickly became known as the most troublesome. For a long time the sharpies stayed off the media radar. With their short square back, college cut hair and neat clothes, everyone was focused on the long haired smelly hippies instead. But after a few episodes of Sharpies mistaking military cadets on leave for rival shorthaired gang members, and running street brawls with the Mods, the Sharpies were recognised.


 1960s Sharpies

 Sharpie boys started off wearing the stove pipe style of the 50s but later changed to a  check pattern, wide leg trouser with 22” cuff, known as flags, with a Crestknit top, three buttons done up, cable knit cardigan and a trench coat in Winter. Shoes were handmade chisel toe, Cuban heel. Girls, or ‘Brush’ wore pleated skirts, pastel twin sets, with sandals and a string of pearls.

In the early 1970s some of the long haired teenagers decided to become sharps, and instead of getting a standard short back and sides, they had the barber leave the hair at the nape of the neck long and whispy and the sharpie haircut that became a recognisable feature was created.


 Early 1970s Sharpies

The 1970s sharpies took the fashion one step further. Flags were replaced with tight fitting, flared leg ‘baggies’, in plains and pinstripes and the cardigans, once cable knit were now skin tight and striped. Still wearing the Crestknits and chisel toe shoes, boys and the girls added platform shoes to the look, as well as Staggers jeans and other Glam Rock styles. If you were part of a gang, add in a t-shirt with the gangs name. Denim jeans and jackets were part of the look for both Bodgies and Sharpies.
 Later 1970s

In spite of the reputation for violence, all of these subcultures had their own walk, talk, clothes, hair, jewelry, music, dance, fashion and moral code that they created for themselves. We don't have to celebrate them, but their place in our history books should be acknowledged.